7840 Conser

I had this one already framed and packed in the car before I remembered I hadn't taken a photo!  There are several through the years that left my easel for other homes before I got an image, so I try to be mindful of it.  This historic stone house is in old town Overland Park, and now home toi the Kevin Cowan Architects.  On the other side of the street are the new InterUrban Lofts, old and new threads in the fabric of this area.  It has been fun painting and drawing here, so close to where I grew up.  The whole area has so many fond memories, it only adds to the work I do here!  Painting number 1974 in 1974 days.

ink on paper, 9x12
purchase here

Fort Frisco

Nestled at the end of a cobblestone street is this charming stone house in Fort Scott.  It was a beautiful drive all the way down, so many places were calling my name!  I drive north constantly, so heading south was a real treat!  So much so, I want to return for more painting!  I start with a small ink drawing to establish my composition, and start painting those lines on my panel.  I'm working 16x20 today, which is a good size for this particular easel.  If the wind is up, a larger box or tripod is necessary.  It is always good to have these back ups in the trunk.  I was painting close to the street to get the perfect view, and I was a bit of a novelty!  Cars stopped, everyone talking and commenting on the painting, a few even took pics!  I do this so often in places where it's "normal" to see artists in the field, that it was super fun to see such surprise on those faces!  I LOVE how friendly small towns are!  I even did a little scouting of Main Street and the old Fort on my way out of town.  I'm so glad my childhood friend invited me down to paint his home!  Thanks, Tim!  Painting number 1964 in 1964 days.

oil on panel, 16x20
sold

99 Elm

The cool autumn weather was refreshing today after last week's heat!  Celebrating the new season with paint as I work on this beautiful estate in Parkville.  The skies have been overcast all day which means the color is saturated and so rich to paint.  I start first with a drawing to be sure of all those lines and angles.  Using that sketch, I begin with paint to mark the masses.  As I work, I check and recheck those angles, tweaking right to the very end.  I love the stone and the cool way the greens mingle with ask those shades!  Painting number 1723 in 1723 days.