Audrey in Blue

I have always admired the grace and style of the iconic Audrey Hepburn.  Working on my portrait skills, I am playing with my blues.  Off of my palette for many years but making a new appearance - Prussian blue is my dominate blue here.  I did pull in some ultramarine blue with my ivory black and white titanium when defining the planes.  I am having so much fun on these portrait studies, I don't want to stop working!  I long to take deep dives into my process, but alas, Christmas is around the corner, and I'm being pulled in so many directions.  Painting number 2896 in 2896 days. 

Casper

Focusing on portrait work is so much fun with this sweet baby boy on my easel!  I find I can learn SO MUCH by taking deep dives into certain areas of my work. I have long been a portrait artist, first in graphite, later in ink and acrylic, and some in oils.  I'm very comfortable in the black and white, and am now exploring the color like I haven't before. I grow with each painting, and I feel like I am seeing the planes of the face in new ways. Why not get playful with the paint?  I can't wait to see what unfolds as I study portraiture in depth!  Painting number 2880 in 2880 days. 

Portrait Study in Black and White

On a weekend full of portrait study, it is so fun to try different colors and techniques!  Here I laid down the planes with ivory black and titanium white, adding the tiniest bit of ultramarine blue.  I arrived with my plein air set up, but am now wishing I had a few more soft brushes.  I use a lot of heavy duty workhorse brushes (Princeton Catalysts) in the field for my daily work, and only had a couple of Rosemary brushes in this box.  A softer, lighter brush is better for blending where desired. I find that I like leaving plenty of brushwork and strong strokes untouched.  This portrait journey is going to be SO FUN!  Painting number 2876 in 2876 days.